Serious

Serious learnt with great sadness yesterday of the passing of the Barbadian trumpeter Harry Beckett. Only a month ago, Harry made what has turned out to be one of his last live appearances, as a special guest on the Big band Britannia concert at the Barbican - the warmth of the audience response when he came on stage acting as a emotional reminder that he was a highly respected and much-loved figure in British jazz. Backstage, his inimitable spirit and sense of humour was much in evidence - one of the scene's great characters.

Harry arrived in London UK in 1954. When we were researching Big Band Britannia, we realised just how central a part he'd played as British jazz evolved from the 60s to the present day.  He'd worked with just about every British composer of note - the New Jazz Orchestra, Stan Tracey, John Dankworth, Mike Gibbs, Graham Collier, John Surman, Mike Westbrook as well as with the Brotherhood of Breath and the Jazz Warriors.  Equally important, he was a talented composer and leader in his own right, and a soloist of immense range and imagination.

We're honoured to have worked with such a fine musician, and our thoughts are with his family and friends.

"I never wanted to live outside Brazil," says Gil. "But London is one of the most interesting cities in the world, and I am lucky to have lived there."

Gilberto Gil speaks to John Lewis from the Guardian about the debts to his exile under the strict Brazilian dicatorship in the 1960s. Read full article here

Gil plays at the Royal Festival Hall next Wednesday

Wynton Marsalis and the Jazz at Lincoln Center Orchestra took the Barbican by storm last week, taking audiences on a whistle stop tour through Twentieth Century big band music. The buzz surrounding their arrival into the UK continued throughout the week, and the last couple of days have seen a raft of 4* reviews for the various concerts. Read below to get a taste of the week's highlights.

“It was a reminder of what a magnificent instrument Marsalis has created over the years. Does there exist anywhere in the world a band so finely balanced across every section, so virtuoso in all its individual parts, and with such an invigorating blend of discipline and joy?” The Telegraph

“The programme was varied and exemplary indeed...another heroic and successful visit to these shores by an orchestra that continues to make more inroads into the Barbican's offerings and outreach.” London Jazz

4* Guardian review

London Jazz review

4* Telegraph review

4*Evening Standard review

Wynton Marsalis and the Orchestra kick off the rest of their tour tomorrow night in Manchester, before going on to Brighton, Gateshead, Glasgow and Birmingham. For full tour details click here.

"Benda Bilili !", the film about the story of Staff Benda Bilili, was welcomed with a standing ovation on the opening night of the Cannes Film Festival, and the band went on to become one of the sensations of the event, with the world's media showering the film and the band with accolades.

Devoted to the band's extraordinary story, this is the film on which French directors Renaud Barret and Florent de la Tullaye (aka Belle Kinoise) have been working on for the past 5 years, ever since they encountered the band in Kinshasa.

The film shows the band's journey from the sidewalks of Kinshasa to the stages of large European concert halls and festivals, and features performances of many songs from Staff's popular "Très Très Fort" cd album, which came out last year on Crammed Discs (and has just won Staff Benda Bilili the Songlines Award for "Best Group of 2010").

Watch Staff Benda Bilili on CNN

Watch Staff Benda Bilili on Guardian Cannes feature

"An extraordinary film ... it will do what Ry Cooder & Wim Wenders did for the Buena Vista Club and make them (Staff Benda Bilili) world famous..." BBC Radio

"a remarkable documentary and an amazing music film" The Telegraph

"The Kinshasa social club ... the utter joy of witnessing these men realising their dreams should make this the feel-good film of the festival" The Times

Staff Benda Bilili will play at Glastonbury in June

We're delighted to announce that the first set of London Jazz Festival shows are now on sale! Visit the Festival website and be the first to get your tickets....

Follow us on Twitter. Find us on Facebook.

London Jazz Festival in association with BBC Radio 3

The winners of the Sony Radio Academy Awards 2010 were announced on Monday. All in the Serious office were eagerly awaiting the results. We're thrilled to announce that the 2009 London Jazz Festival in association with BBC Radio 3 won the bronze award for the Best Live Event Coverage. Congratulations go to BBC Radio 3, BBC Scotland, BBC Wales, Unique the production company & Somethin' Else for BBC Radio 3!

Great news for the London Jazz Festival!

The 2009 London Jazz Festival in assocation with BBC Radio 3 has been nominated for the "Best Live Event Coverage" in this year's Sony Radio Academy Awards. Credit for the nomination goes to BBC Radio 3, BBC Scotland, BBC Wales, Unique Production Co & Somethin' Else for BBC Radio 3.

View all of the nominees here

The winner is due to be announced on Monday. We'll keep you posted...

Konono No.1 go out on the road this weekend with their new project Assume Crash Position!

See below for a selection of 4* reviews for the new album

Mojo / Narc / Songlines Page One - Two / Stool Pigeon

Last month the Scottish Arts Council announced the winners of the Creative Scotland Vital Spark Awards. The winners were selected by a panel of creative experts to receive a share of the £500,000 Vital Spark Fund to develop innovative collaborative projects that will enable creative practitioners to work on new collaborations across a range of art forms and disciplines.

The successful projects include a collaboration involving previous Jazz CPD Scotland participant, composer and musician Raymond MacDonald, who will collaborate with visual artist Martin Boyce and film director David MacKenzie on a project that experiments with new forms of work that will adapt to gallery, concert hall and cinema spaces.

The inspiration for the project came to Raymond while he was taking part in Jazz CPD Scotland and Serious is thrilled that his participation in this artist development programme provided the springboard for this achievement.  The Creative Scotland Vital Spark Award will provide a significant boost to Raymond’s practice and career and we are proud to see that the information and opportunities provided through Jazz CPD Scotland have produced such a tangible result. 

"Jazz CPD Scotland gave me the chance to think about my music in fresh ways, the space to develop new ideas and to discuss my work with leading music industry experts.  One of these ideas percolated away and then fed directly into this Creative Scotland Vital Spark project that involves a collaboration with a film maker and a visual artist and will take my work into new areas and to new audiences."  (Raymond MacDonald)

For more information see the Scottish Arts Council website 

Download Scottish Herald feature here

Download Scotsman feature here

Read more about Jazz CPD Scotland

Still firming up plans for your bank holiday weekend? Kick start the fun on Thursday night, with three live bands at the King's Cross Social Club. Nu-jazz-meets-soul collective Brotherly mix edgy beats with soul inflected keyboards and basslines, giving them a distinct flavour in these days of safe and pre-packaged pop stars. Vocalist Heidi Vogel, who boasts collaborations with the Brand New Heavies, Eska Mtungwazi, Isaac Hayes and the Cinematic Orchestra, brings a deeply sensual sophistication to her harmonically rich, Brazilian-tinged music. Acoustic soulster Kersha Bailey completes this exciting bill of emerging talent.

Thursday 29 April, Kings Cross Social Club, 8pm
Tickets are just £5 + bkg in advance. More info

Fancy winning a pair of tickets? You just need to answer the following question... 

Which award were Brotherly nominated for, following their acclaimed performance at Maida Vale Studios?

Email your answer to amy.coombe@serious.org.uk by 6pm on Monday. Two winners will be selected at random.

Despite major disruptions to flights into the UK, Iranian superstar Ebi Hamedi made it over on Saturday, and Serious sent vehicles all over Europe over the weekend to collect his musicians. The Royal Albert Hall show on Tuesday will still go ahead.

A determined jazz diva Dee Dee Bridgewater spent fourteen hours in a cramped minibus, driving from Stuttgart to London on Thursday evening, and played a triumphant show at the Barbican on Friday. Unable to travel on to her next tour destination, she will play two special shows at Ronnie Scott’s tonight and tomorrow, replacing the Wallace Roney Quintet, who are unable to make it into the UK.

Salif Keita played to a packed house at the Barbican a couple of weeks ago. The Winkball team were at the venue before and after the performance, asking the audience what they thought of the show. The feedback was fantastic! Have a listen to what they had to say here.

Read 4* Evening Standard review here

“Keita arrived like the superstar he is, enigmatic in white suit, white Panama hat and dark glasses; dropping to his knees before his mic-stand for dramatic effect. But the best thing about him was his voice. A grainy and searing tenor, its power continues to drop jaws, cause goosebumps.” Evening Standard

Atmospheric art-pop exemplars Sweet Billy Pilgrim open for Rokia Traore at Koko on Tuesday 27 April. They're offering a free download of Kalypso from their latest album, Twice Born Men. Download it here.

In celebration of Record Store Day this Saturday 17 April, Sweet Billy Pilgrim are releasing a limited edition very special vinyl singles. You can buy these from participating independent record stores. Click here for the full list to see if there's one near you.

At the end of March, our learning team were out and about in West Sussex and London with Cleveland Watkiss, one of the UKs foremost jazz singers. Their mission: to inspire teachers and young music leaders to get all children and young people singing. Our workshops are part of Sing Up – the national campaign to spread the joys and benefits of singing through schools and their local communities. We updated you over the course of the week on the team’s progress. Due to a hectic couple of weeks in the Serious office, it’s taken a little longer than planned to post the second installment, but we thought you’d still be keen to read about the final three days of the project, plus some great feedback from some of the participants...

Day three: 

Our final day in West Sussex finished on a high note.  We were in a primary school working with a great choir group in the morning and in the afternoon visited a secondary school. 

Day four:  

In London schools. 

The morning went well although the students took a little more coercing to engage.  Once warmed up, they were happy to participate, but where it would take say 10 mins to engage a younger audience, these students sat on the side lines until half way through the workshop.  The dynamic in secondary schools is quite different to primary school, where children on the whole are a lot more fearless when it comes to trying new things.  In secondary schools, past a certain age, you can see students really wanting to have fun - but not quite being able to relax enough to really do so.  Nevertheless, happy with the outcome.  The teacher would love us to go back and I feel we have made good groundwork in a school that has not had much support from external music providers.

The secondary school in the afternoon was a very interesting challenge for us.  We were greeted by police patrolling the corridors.  Quite a surreal set up too, working in a large hall / turned gym with a proper boxing ring in the middle of it!  Harder work this afternoon, but this is precisely where activity like Sing Up needs to take place.  Glad we managed to make an impact.

Day five:

The last day of our tour today.   We reached just over 100 young people in 3 workshops.  The last session, a 1 hour workshop with 54 children in a Tottenham primary school was lots of fun and very loud!  A great end to a very positive week. 

A few quotes from the people involved ....

"Thank you once again for a fantastic workshop; as well as motivating our talented singers it really was a powerful experience for our student who is finding school life very difficult and she actually spoke to many of our senior staff later in the day full of positive comments about school, her feeling like she was starting to belong and having the opportunity to be a part of such amazing experiences. So thank you again." London

"Here's a BIG THANK YOU from me to you and all the guys for making the sessions so inspirational, insightful and a joy. I hope to work with you again soon." West Sussex

"The children thoroughly enjoyed their experience - interesting to watch the tense little bodies at the start, gradually relaxing and enjoying the experience as Cleveland and Tara worked with them." London

Our learning team is out and about in West Sussex and London this week with Cleveland Watkiss, one of the UKs foremost jazz singers. Their mission: to inspire teachers and young music leaders to get all children and young people singing. Our workshops are part of Sing Up – the national campaign to spread the joys and benefits of singing through schools and their local communities. Our learning coordinator Nadine has been checking in every evening, giving us a brief insight into each day’s activities....

Day One

A successful first day in Crawley.  We have been in a secondary school all day , working with a mix of students from years 7-11 (aged 11 - 16).  It was a really interesting group to work with. We had 29 students for the day - it was supposed to be a group of 20, but after a performance to a wider audience asked if they could stay on... I wonder if it was because they had double science as an alternative?!!

The day went very smoothly with lots of warm up and improvisation activities – all very pleased.

Day Two

A really positive day working with an all boys group in the morning and all girls in the afternoon at another Crawley secondary school.  Both groups were completely on the ball. The boys have formed their own barbershop choir and performed for us, which was fun - did a take on Run by Snow Patrol!

The school is amazing...really takes music seriously.

Great story of the day: we'd been told that one girl wouldn't be participating in the workshop but would come in and watch, as although she liked music, she was extremely shy. Pleased to say by the end of the workshop she took scat solos in front of the class and led sections with the younger students. Teacher nearly in tears...me too!

After a half day with each group, year 7 children joined us all for the last 30 mins where the two groups led them through exercises they'd learnt...really worked well. Only day two but so far all good...

We'll keep you updated on the rest of the week's proceedings.

Charlie Gillett meant so much to the people who met him, read him and above all heard him on the radio, the medium where his disarming warmth came across best of all.

He had the gift of conveying all his many enthusiasms with a freshness that was infectious. He loved musicians and artists with an unforced passion, and was a great interviewer because he used his knowledge, rather than just displaying it. He was a fundamentally gentle man, but he could be wickedly funny when he sent up pretension. Charlie loved the directness of early rock 'n' roll, and as he found out about African and Latin musics, he kept the excitement of a man forever making precious new discoveries.

At Serious, we were lucky enough to work with him many times. He introduced us to Mariza's music when she first came over to play a tiny club for his BBC London radio programme, and delighted in her success as she went on to reach large audiences across the world. Mariza never forgot his support, and was delighted that he was still playing her music on one of his very last radio programmes. The last live show that we did with Charlie was last December's Aurelio Martinez concert at Union Chapel. He'd been ill for a while, but that night he rallied, and he was in his element, playing music for people to dance to, and enthusing about the first UK show by Aurelio, one of the hundreds of artists he'd championed on the radio for many years.

We feel honoured to have worked with him and he will be greatly missed by all his friends at Serious.

Read Guardian obituary from Richard Williams

It was fantastic to see Claire, one of our three Directors, included in the Cultural Leadership Programme's 'Women to Watch' list. Featuring 50 female leaders, directors, producers and curators from across the UK, the list celebrates women who are already making a huge contribution to the rich cultural life of the UK. Congratulations Claire!

For the full story visit the Cultural Leadership website or download the press release here.

EAST Festival drew to a close yesterday evening. The Serious team were out in force over the weekend, and managed to catch some of the highlights on video.

On Saturday afternoon, Song East (Kami Thompson, Alisdair Roberts and Muntu Valdo) played to a packed crowd at Cafe Oto. Muntu asked everyone in the audience to join him in singing the Cameroonion Sawa blues. It was a sight that would have brought a smile to the saddest of faces, seeing a hundred people (including quite a few of the Serious team!) try to imitate Muntu's sounds...

Also performing was singer/songwriter Kami Thompson. If you've not seen or heard her before, try to catch her live. (She'll be opening for Portico Quartet at Warwick Arts Centre on Sunday 20 March.) Here's a clip of her performing at Cafe Oto.

On Sunday afternoon, in spite of the sunshine, plenty of people steered clear of the parks, and came to the East to catch the London Gyspy Orchestra, Soweto Kinch and Sweet Billy Pilgrim. English alt-folk exemplars Sweet Billy Pilgrim charmed the audience with their amusing anecdotes, and played a charged set featuring songs from their debut album Twice Born Men.

Song East began last night at Toynbee Studios, with performances from folk visionary Alasdair Roberts, Cameroonian blues exemplar Muntu Valdo and beguiling singer-songwriter Kami Thompson. The intimate setting of the studios provided the perfect stage for the three vocalists, who performed a series of solo sets interspersed with original collaborations. Last night wasn't your only chance to catch them in action. Song East takes place from today until Tuesday, so if you're at a loose end over the weekend, head over to East London and take advantage of what EAST festival has to offer. All gigs are free. Just turn up early to make sure you get in!

Go to the Serious website for more info about where the gigs are taking place.

Check out video footage of Muntu Valdo's performance.

“I’m like a pig sniffing for truffles” -  Nik Barstch quotes Stravinsky during a recent interview with Sebastian Scotney at LondonJazz. Find out what prompted this remark, what inspires Nik,  his local club back home and the connection with Japanese Samurai.

Read the full interview here

Bartsch plays at the ICA on Friday 12 March as part of a UK tour.

Have a listen to the Kings Place podcast featuring an interview with Andy Sheppard, who talks about his upcoming show in Jazz Scene Europe.

Jazz Scene Europe takes place at Kings Place from Wednesday 17 to Saturday 20 March.

“There was a gasp of wonder at the Barbican when he unveiled the “orchestrion” — a wall of flashing percussion instruments linked up to guitars, bass, an acoustic piano, marimba and other bizarre contraptions, many of them custom-built.”  (David Sinclair, The Times)

Jazzwise, Stephen Graham  http://www.jazzwisemagazine.com/component/content/11130?task=view

London Jazz, Rod Fogg http://londonjazz.blogspot.com/2010/02/review-pat-metheny-orchestrion.html

The Telegraph, Ivan Hewitt http://www.telegraph.co.uk/culture/music/live-music-reviews/7215032/Pet-Methenys-Orchestrion-at-the-Barbican-review.html

The Times, David Sinclair http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article7023768.ece

"Christian Scott's a superb ­instrumentalist and adventurous ­bandleader, with the ­technique, vision and ­commitment to make a real ­difference to US jazz." John Fordham, Guardian

Read full review here

Listen to Pat Metheny speak about his Orchestrion project on BBC Radio 4.

Pat Metheny's Orchestrion project in concert at the Barbican on Tuesday 10 Feb is sold out.

"She gets better and better. Anyone who saw the queen of fado reduce the Albert Hall to the dimensions of a taverna a few years ago might have wondered whether she was capable of springing any more surprises. The proof was to be found in this spellbinding performance. The voice is even more majestic, the gestures even more dramatic." Clive Davis, The Times

Read full review here